Abstract
To further explore the patriarchal adaptations made to female biblical characters, I have experimented in creating poetry from the female perspective of Eve in the creation story (Genesis). Like Mary Magdalene, Eve has been aligned with original sin and it is this story that was frequently used to justify the treatment of women by the church. Instead of focusing specifically on sin, I wanted to create a poem that explored what it may have been like to exist before the concept of ‘the past’ and ‘time’, as well as suggest what it may have been like for Eve to experience the world after she had eaten from the Tree of Knowledge. If our understanding of good and bad is a result of their contrast, then surely, without ever having experienced evil before she bit the apple, how could Eve (and Adam) ever have truly appreciated or understood ‘paradise’ or the parameters of the Garden of Eden? There are more interesting philosophical discussions to be had about the creation story aside from simply that women are the cause of original sin. ‘Mother Nature’ encompasses both the labours of women and the present-day ecological issues that connect with the original creation story. Likewise, on the theme of feminist mythological retellings, the tale Pygmalion inspired the poem ‘not my bed’, which is a modern-day take on the blurred lines of consent, focusing solely on the female experience, in the wake of the #MeToo Movement and the Warwick Rape Chat Scandal.
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