Abstract
Decolonising research methodologies has expanded opportunities for a more pluriversal world, yet knowledge production still remains controlled by a privileged minority. This piece examines how vivencias (lived experiences) can shift attention and privilege away from dominant forms of knowledge. I offer three examples of transdisciplinary collaborations rooted in grassroots movements, led by Afro-descendant women affected by the armed conflict in Colombia. Despite widespread fears, these women chose to speak out, using art and art-making as means to (re)signify and (re)construct collective memory amid violence. They do not work alone; academics and social actors join these women’s struggles, co-creating knowledge and resistance. These stories show how vivencias expressed through art become tools for weaving alternative knowledges from below and for developing situated, collective knowledge that fosters critical awareness and social change through peaceful resistance. This approach (re)invents research practices rooted in struggles for collective liberation, valuing diverse ways of knowing and being to challenge the dominance of traditional knowledge production and pursue epistemic justice.
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